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Gangsa is an umbrella term for:


A) the various types of metallophones in a gamelan.
B) texture.
C) an orchestra.
D) an ancient gamelan society.

E) A) and D)
F) C) and D)

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In double-exposition form:


A) the first exposition does not modulate, but the second one does.
B) the first exposition modulates, but the second one does not.
C) the modulation occurs during the statement of the second theme.
D) there are no bridge themes.

E) B) and C)
F) B) and D)

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"Là ci darem la mano" is a(n) :


A) secco recitative.
B) accompanied recitative.
C) duet.
D) arioso.

E) All of the above
F) C) and D)

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In the final section of the first movement of a Classical concerto,the soloist improvises a solo passage called a:


A) coda.
B) ritornello.
C) cadenza.
D) recapitulation.

E) A) and C)
F) All of the above

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"Ho capito" is sung with fury and sarcasm by:


A) Masetto.
B) Don Giovanni.
C) Zerlina.
D) the Commandant.

E) A) and C)
F) C) and D)

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Which of the following is true of the way Classical composers wrote for the string quartet?


A) The violins were generally given the melody.
B) The cello was given the job of harmonic support, in the form of a continuo line.
C) All four parts were interdependent, each reacting to musical gestures by the others.
D) The inner voices were given harmony parts, not thematic material.

E) B) and C)
F) A) and D)

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The basic structural unit of a gamelan composition is known as the:


A) legong.
B) gangsa.
C) gongan.
D) ostinato.

E) B) and D)
F) All of the above

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List the instruments (and the number of each)in a string quartet.

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A string quartet typically consists of f...

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Unlike much European Baroque music,Etenraku avoids:


A) a clearer marking of the meter as the performance proceeds.
B) a quickening of the beat.
C) virtuosic playing.
D) repeating phrases.

E) A) and C)
F) B) and C)

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The string quartet may have as many movements as the:


A) symphony.
B) Classical sonata.
C) dance suite.
D) Classical concerto.

E) B) and C)
F) B) and D)

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Briefly summarize the movement plan of the typical Classical concerto.Contrast this plan with that of the typical Classical symphony.

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The movement plan of a typical Classical...

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Compare and contrast sonata form (see Chapter 13)with double-exposition form.

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Sonata form and double-exposition form a...

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What is altered in the recapitulation of the first movement of Piano Concerto No.23 in A?


A) The entire orchestra plays the theme fugally.
B) The tempo changes from fast to faster.
C) The bridge remains in the tonic key.
D) The oboes alternate solos with the piano.

E) All of the above
F) C) and D)

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A typical first movement of a Classical string quartet is:


A) in a moderate or fast tempo and in sonata form.
B) slow and lyrical.
C) a minuet.
D) a rondo.

E) A) and B)
F) C) and D)

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How does the sound of the gamelan orchestra differ from the sound of a European orchestra?

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The sound of a gamelan orchestra differs...

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Which of the following is not a characteristic of the ensemble in eighteenth-century opera?


A) Sentiments are presented more swiftly than in an aria.
B) Sentiments can change within one musical number.
C) Sentiments are fairly static and consistent within one musical number.
D) The sentiments of a few characters can be presented simultaneously in one musical number.

E) A) and B)
F) B) and C)

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Compare and contrast aria and recitative (see Chapter 11)with ensemble in terms of performing forces,plot action,and presentation of emotions.You may put your answer in table form if you wish.

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AriaRecitativeEnsemble
Performing Forces...

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What happens after the orchestral exposition in the first movement of Piano Concerto No.23 in A?


A) The full orchestra comes in.
B) The piano stops playing, and the orchestra takes over.
C) The piano comes in, and the orchestra has a secondary role.
D) The mode changes from major to minor.

E) None of the above
F) A) and D)

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Define and describe the genre chamber music.List three composers associated with this genre.

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Chamber music is a genre of classical mu...

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At the heart of the gamelan stands a great variety of:


A) aerophones.
B) chordophones.
C) idiophones.
D) gongs and metallophones.

E) A) and B)
F) A) and C)

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